Yoshioka Ichimonji

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nagasa  71.0 cm,  sori  1.4 cm,  motohaba  2.8 cm,  sakihaba  2.2 cm,  kissaki-nagasa  3.45 cm,  nakago-nagasa

21.4 cm,  nakago-sori  0.2 cm

Keijo :  shinogi-zukuri ,  mitsu-mune , relatively wide  mihaba , normal  kasane , despite the  ?-suriage  a relatively deep  koshizori ,  ch?-kissaki

Kitae :  itame  with fine  ji-nie  and a  midare-utsuri

Hamon :  ko-nie -laden  ch?ji-midare  that is mixed with  gunome  and with plenty of  ashi  and  yõ , the

elements of the  ha  are overall rather small dimensioned and the  nioiguchi  is wide

B?shi :  midare-komi  with a rather pointed  kaeri

Horimono : on both sides a  b?hi  which runs with  kaki-nagashi  into the tang

Nakago :  ?-suriage ,  kirijiri ,  kiri-yasurime , three  mekugi-ana  (one plugged),  mumei

Artisan: Yoshioka-Ichimonji School from Bizen province

Era: late Kamakura period

Translation:

J?y?  No 600

katana ,  mumei : Den Yoshioka-Ichimonji (?????)

Measurements :  nagasa  71.0 cm,  sori  1.4 cm,  motohaba  2.8 cm

Keijo :  shinogi-zukuri ,  mitsu-mune , relatively wide  mihaba ,  koshizori ,  ch?-kissaki

Kitae :  itame  with fine  ji-nie  and a  midare-utsuri

Hamon :  ch?ji-midare  in  ko-nie-deki  that is mixed with  gunome  and plenty of  ashi  and  y?  and whose elements are rather small dimensioned

B?shi :  midare-komi  with a rather pointed  kaeri

Horimono : on both sides a  b?hi  which runs with  kaki-nagashi  into the tang

Nakago :  ?-suriage ,  kirijiri , three  mekugi-ana  (one plugged)

According to the result of the  shinsa  committee of our society we judge this work as authentic and rate it as  tokubetsu-j?y?-t?ken .

May 29, 1996

[Foundation] Nihon Bijutsu T?ken Hozon Ky?kai, NBTHK

[President] Yamanaka Sadanori (????)

Translation:

Tokubetsu-j?y?-t?ken  at the 14th  tokubetsu-j?y? shinsa  held on May 29, 1996

katana ,  mumei : Den Yoshioka-Ichimonji (?????)

Takaiwa Setsuo (????)

The two major groups of swordsmiths of the Kamakura-period Bizen province were Ichimonji and Osafune, the former flourishing in Fukuoka, Yoshioka, Katayama, Iwato, and other local areas and giving rise to many great master smiths. Those smiths who were active in Yoshioka were accordingly referred to as Yoshioka-Ichimonji and compared to their Fukuoka-Ichimonji colleagues, the  ch?ji-midare  of these smiths shows more prominent  gunome  and  togari  and its elements also tend to slant and are overall more densely arranged. Apart from that, we also know works in  suguha  mixed with  ashi  from that school but it has to be mentioned that rarely also a wide and flamboyant  ch?ji-midare  like that of the Fukuoka-Ichimonji School is seen.

This blade shows a  ch?ji-midare  that is mixed with  gunome  and plenty of  ashi . The elements of the  ha  are rather small dimensioned, and the  ha  does not show many ups and downs. In addition, the  ashi  tend to sland and therefore we recognize the characteristic features of the Yoshioka-Ichimonji School. The blade maintains depiste the  ?-suriage  a nice  sugata , has a bright and clear  jiba , and is on top of that  kenzen  (in perfect condition).

“ICHIMONJI SCHOOL” KAMAKURA PERIOD.

IT IS A VERY INTERESTING FACT THAT “ICHIMONJI”, THE MOST FAMOUS SCHOOL OF SWORD MAKING DURING THE KAMAKURA PERIOD ( 70 % OF TODAY’S NATIONAL TREASURE SWORDS, ARE FROM THIS PERIOD ), ACTUALLY HAD ITS “GRASS ROOTS BEGINNINGS AT SEA”! HAD THERE NEVER BEEN A BATTLE OF “DEN-NO-URA” IT IS ALMOST CERTAIN THAT THE “ICHIMONJI SCHOOL” WOULD NEVER HAVE BEEN BORN! THE MAJORITY OF “ICHIMONJI” MAKERS WERE FROM BIZEN.

“BIZEN”, IS THE ONLY PROVINCE THAT HAS EXPERIENCED CONTINUOUS SWORD PRODUCTION FROM THE “HEIAN PERIOD”, TO THE “SHIN-SHINTO” PERIOD. THUS EXPERIENCED SWORD SMITHS OF THE HIGH LEVELS, WERE ABUNDANT. THROUGHOUT THE HISTORY OF SWORD MAKING, BIZEN PROVINCE WAS DOMINATE. BIZEN PROVINCE. POSSESSED ALL OF THE NECESSARY ELEMENTS, AND REQUIREMENTS FOR SUCCESSFUL SWORD MAKING. “BIZEN TETSU” ( IRON ) WAS EXCEPTIONAL PURITY, AND OF THE HIGHEST QUALITY. HIGH GRADE SAND IS ALSO AVAILABLE, AS IT IS CLOSE TO THE SEA. THE WATER SUPPLY FROM THE “ASAHI GAWA”, AND “YOSHII GAWA” RIVERS WAS VERY PURE. THE SOIL PRODUCES FINE WOOD, FROM WHICH SOME OF THE “HIGHEST GRADE CHARCOAL” EVER SEEN IS PRODUCED, EVEN TO THIS DAY! THE OTHER SIGNIFICANT FACTOR, IS THE SUPPLY ROUTE, THE “SANYODO HIGHWAY” PASSES DIRECTLY THROUGH BIZEN. IN SUMMARY, THE CONDITIONS IN BIZEN WERE ABSOLUTY IDEAL, FOR “SWORD MAKING”. “BIZEN”, IS CREDITED WITH THE HIGHEST SWORD PRODUCTION STATISTICS, IN THE HISTORY OF JAPAN. “BIZEN OSAFUNE”, THE CITY OF SWORD SMITH’S. AT ONE TIME “80 %” OF THE RESIDENTS OF “OSAFUNE” WERE SWORD SMITHS. WITH SO MANY SWORD SMITHS LIVING IN CLOSE PROXIMITY, THE SHARING OF ADVANCEMENTS, THOUGHTS, AND TECHNOLOGY WAS RESPONSIBLE FOR A VAST NUMBER OF IMPROVEMENTS, AND INNOVATIONS IN THE ART OF SWORD MAKING. THIS GAVE THE OSAFUNE SCHOOL, A  TREMENDOUS ADVANTAGE IN AN AGE OF LESS THAN IDEAL NATIONWIDE COMMUNICATION.

“KYUSHU”, HOMELAND OF THE “GENJI – HEIKE” SEA WAR.

THE GREAT SEA BATTLE, AT “DEN-NO-URA”, WAS ONE OF THE GREATEST SEA BATTLES IN HISTORY. THE “GENJI” (MINAMOTO CLAN) , WITH A COMPLEMENT OF “850” BATTLE SHIPS, AND THE “HEIKE” (TAIRA CLAN), WITH ONLY “500”, ( APROX. “1,350” TOTAL SHIPS! THE SPANISH ARMADA, CONSISTED OF ONLY “130” ) FACED OFF IN THE INLAND SEA NEAR KYUSHU, AT DEN-NO-URA, ON APRIL, 24, 1185 AD., THE WEAPONS OF CHOOSE WERE “BOW’S, AND ARROW’S. TO SHORTEN A LONG STORY, THE HEIKE HAD THE ADVANTAGE ( EVEN THOUGH GREATLY OUT NUMBERED ) AND WERE WINNING, DUE TO THERE SUPERIOR SEAMANSHIP. WHEN A TURNCOAT, HEIKE GENERAL BETRAYED THEM BY DISCLOSING TO THE MINAMOTO (GENJI) WHICH SHIP CARRIED THE YOUNG ( 7 YEAR OLD ) “EMPEROR ANTOKU”. THE GENJI THEN TOOK COMMAND OF THE IMPERIAL SHIP, AND THE BATTLE WAS SUBSEQUENTLY LOST BY THE “TAIRA”.
THE YOUNG ( ONLY “5” YEARS OF AGE ) DEFEATED EMPEROR “ANTOKU” WAS GIVEN THE OPPORTUNITY TO COMMIT “SEPPUKU” , BY DROWNING. HIS MATERNAL GRAND MOTHER THE  ” LADY Ii “ , PRAYED WITH THE CHILD, AFTER WHICH THEN LEAPT TO THERE DEATH IN THE SEA!
THE REMAINDER OF THE MAIN LINE “HEIKE SAMURAI” FOUGHT TO THE END, AND PARISHED IN THE SEA! ABOUT THIS TIME A “MYSTIC EVENT” IS THOUGHT TO HAVE TAKEN PLACE. A “CRAB” (INDIGENOUS TO THE AREA) TOOK ON BACK MARKINGS THAT LOOK LIKE THE FACE OF A “SAMURAI WARRIOR”. IT IS BELIEVED BY MANY THAT THE SPRIT’S OF THE DEFEATED HEIKE WARRIORS, ROAM THE SEA, IN THE FORM OF THE “THE HEIKE CRAB” (NAMED AFTER THEM). TO THIS DAY THE “HEIKE CRAB”  IS NOT EATEN , AND IS TOSSED BACK INTO THE SEA WHEN CAUGHT. THESE EVENTS ARE, COMMEMORATED TO THIS DAY ON, APRIL 24 th. OF EVERY YEAR.
MANY OF THE TAIRA TOOK REFUGE ON “KYUSHU”, BRINGING WITH THEM THE CULTURE OF THE MAINLAND. THE “GENJI – HEIKE” WAR WAS INSTRUMENTAL TO THE DEVELOPMENT OF THE BLADES OF THE “KYUSHU KAJI” (SWORD MAKERS). THIS IS ONE OF THE MOST INTERESTING SWORDS, WE HAVE EVER HAD!

“The Genpei  or  Gempei War  (????????????) (1180-1185) was a war of ancient  Japan , fought between the  Taira  and  Minamoto  clans. The Genpei War resulted in the fall of the Taira clan and establishment of  Minamoto Yoritomo  as  shogun  of Japan in 1192. The name “Genpei” comes from  Genji  and  Heike , alternate readings of the  kanji  characters ‘Minamoto’ and ‘Taira’ respectively.

The Genpei Wars were the culmination of a decades-long conflict between the two clans over dominance of the Imperial court, and thus, by extension, control of Japan. In the  Hogen Rebellion  and  Heiji Rebellion  of earlier decades, the  Minamoto  attempted to regain control from the Taira, and failed. The Taira then began a series of executions, intended to eliminate their rivals once and for all. Finally, in  1180 , the Genpei Wars themselves began, as  Minamoto no Yorimasa  supported a different claimant for the Imperial throne than the Taira nominee. The ensuing battle took place just outside  Kyoto  and is called the first  Battle of Uji . The war ended five years later, with a decisive  Minamoto  victory in the naval  Battle of Dan-no-ura .

Go-Toba took the throne at the age of three, after his brother,  Emperor Antoku , himself only five, was forced to abdicate during the  Genpei War . His grandfather ex-Emperor  Emperor Go-Shirakawa  reigned as  cloistered emperor . Shortly after Go-Toba took the throne, in 1192 Go-Shirakawa died and the first  shogunate  was established by  Minamoto no Yoritomo . This meant that the emperor became a figurehead with little or no real power. In 1198, the sh?gun forced Go-Toba, who was still in his teens, to abdicate. Two of Go-Toba’s sons succeeded him on the throne, but they were each in turn also forced to abdicate. Go-Toba reigned as cloistered Emperor from 1198 till 1221 during reigns of three emperors, but his power was more limited than former cloistered Emperors in the  Heian era . In 1221, the sh?gun installed Go-Toba’s three-year-old grandson,  Emperor Ch?ky? , as emperor, but Go-Toba chose to stage a rebellion in an attempt to reclaim the throne and overthrow the  Kamakura shogunate . This is known as the  J?ky? War  after the  era  in which it occurred.  Samurai  around Ky?to who were against the Shogunate supported him but most of samurai, particularly in Kant? supported the Shogunate with encouragement of  H?j? Masako , the widow of Yoritomo. She persuaded samurai gathering in  Kamakura  that if they would not support the Shogunate, then the contemporary status and privileges that samurai had attained would be lost, and the  court  and  kuge  would regain their power and influence. Go-Toba’s rebellion was defeated and Ch?ky? was replaced as emperor by Go-Horikawa, a nephew of Go-Toba.

Go-Toba was a great lover of swords, and over the course of several years summoned the most talented sword smiths in the land to his court where they were given honorary titles and invited to teach the emperor their craft. He became a respectable sword smith himself, and it was his patronage and encouragement of this art that gave birth to Japan’s ‘Golden Age’ of sword smithing. His contribution to the art is still held in such high esteem, that even today a tradition is maintained in sword literature that he is the first sword smith to be discussed.

His greatest contribution to literature is the  Shinkokinsh?  (The New Anthology of Ancient and Modern Waka). He ordered its creation and took part in the working group as an editor. He revived the Office of Waka ( ??? ) and made it the headquarters of this edition. He held many  utakai  (waka parties) and  utaawase  (waka competitions).

After the rebellion Go-Toba was exiled to the Oki Islands. He died and was buried there. Later a part of his body was buried in Ohara, Ky?to.” Credit : https://en.wikipedia.org/

* 70 % OF ALL THE “NATIONAL TREASURE” SWORDS WE HAVE TODAY, WERE PRODUCED DURING THE “KAMAKURA” PERIOD ( 1186 ~ 1332 AD. )

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