JUYO NAGAMORI - SamuraiSword.com

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SODEN-BIZEN SCHOOL
MINO GOTO FITTINGSCirca 1340 A.D.
NBTHK Juyo Token

“NAGAMORI” ONE OF THE FIRST LEADERS, OF THE SODEN BIZEN SCHOOL. C – 1346 AD.

“NAGAMORI”, IS ONE OF THE MOST HIGHLY RESPECTED MAKERS OF THE “NAMBOKUCHO” PERIOD. HIS FIRST WORKS APPEARED IN ABOUT “SHOHEI” 1346 AD. HE BEGAN HIS STUDIES WITH “CHOGI” (NAGAYOSHI), ONE OF THE FOREMOST STUDENTS OF “SOSHU MASAMUNE!, AND IS BELIEVED TO BE HIS BROTHER OR SON.

THE FIRST FOUNDERS OF THE “SODEN – BIZEN” SCHOOL WERE BELIEVED TO BE KANEMITSU FIRST GENERATION, AND “CHOGI” NAGAYOSHI, “NAGAMORI” (THIS BLADE) PRODUCED THIS BLADE, IN THE SODEN – BIZEN STYLE, THAT COMBINED THE FINEST CHARACTERISTICS OF BOTH THE SOSHU, AND BIZEN SCHOOLS. “NAGAMORI WORKS ARE SCARCE. THIS IS ONE OF THE “MOST EXUBERANT, AND IMPRESSIVE” JUYO BLADES WE HAVE EVER OFFERED.

“BIZEN PROVINCE” THE PINNACLE OF SWORD PRODUCTION.

“BIZEN”, IS THE ONLY PROVINCE THAT HAS EXPERIENCED CONTINUOUS SWORD PRODUCTION FROM THE “HEIAN PERIOD”, TO THE “SHIN-SHINTO” PERIOD. THUS EXPERIENCED SWORD SMITHS OF HIGH LEVELS, WERE ABUNDANT. IT IS QUITE APPARENT THAT EVERY EFFORT WAS MADE BY HISTORIANS TO ACCURATELY RECORD THE STATISTICS, AND GENEALOGY’S OF THE BIZEN KAJI ( SWORD MAKERS ). DUE TO THE UNBELIEVABLY LARGE NUMBER OF MAKER’S, AND BRANCHES IN THIS CONCENTRATED AREA, THE TASK PROVED TO BE EXTREMELY DIFFICULT, AND RESULTED IN CONFUSION IN MANY CASES. IT IS QUITE DIFFICULT TO FIND TWO REFERENCES THAT CONCUR WITH EACH OTHER. THROUGHOUT THE HISTORY OF SWORD MAKING, BIZEN PROVINCE WAS DOMINATE. BIZEN PROVINCE. POSSESSED ALL OF THE NECESSARY ELEMENTS, AND REQUIREMENTS FOR SUCCESSFUL SWORD MAKING. “BIZEN TETSU” ( IRON ) WAS EXCEPTIONALLY PURE, AND OF THE HIGHEST QUALITY. THE WATER SUPPLY FROM THE “ASAHI GAWA”, AND “YOSHII GAWA” RIVERS WAS VERY PURE. THE SOIL PRODUCES FINE WOOD, FROM WHICH SOME OF THE “HIGHEST GRADE CHARCOAL” EVER SEEN IS PRODUCED, EVEN TO THIS DAY! THE OTHER SIGNIFICANT FACTOR, IS THE SUPPLY ROUTE, THE “SANYODO HIGHWAY” PASSES DIRECTLY THROUGH BIZEN. IN SUMMARY, THE CONDITIONS IN BIZEN WERE ABSOLUTELY IDEAL, FOR “SWORD MAKING”. IT IS ESTIMATED THAT MORE THAN “33 %” OF THE FINEST KOTO BLADES THAT REMAIN TODAY, ARE FROM BIZEN PROVINCE! “BIZEN”, IS CREDITED WITH THE HIGHEST SWORD PRODUCTION STATISTICS, IN THE HISTORY OF JAPAN.

THE “SODEN ( SOSHU DEN ) BIZEN” MON
FOUNDED IN: “YOSHINO-CHO” ERA 1336 ~ 1392
“BIZEN KANEMITSU”, HEAD OF GROUP.

WHEN “KANEMITSU WAS INVITED TO STUDY WITH, AND BECAME A STUDENT OF “MASAMUNE”, IN “GEN-O” 1319, AT THE AGE OF “42” YEARS. “MASAMUNE” WAS THE MOST FAMOUS MAKER OF HIS DAY. IT IS HIGHLY UNLIKELY THAT “KANEMITSU” WAS AWARE OF THE SIGNIFICANT POSITIVE IMPACT THAT THIS WOULD HAVE ON THE ART OF SWORD MAKING. THESE STUDIES RESULTED IN HIS BECOMING THE “HEAD OF THE “SODEN BIZEN” GROUP. THE OTHER LEADERS WERE; “CHOGI” – NAGAYOSHI (ALSO A STUDENT OF “MASAMUNE”), “NAGAYOSHI” THE MAKER OF THIS BLADE WAS ALSO HIS “SON, OR BROTHER, AND “KANENAGA”. THE SCHOOL FLOURISHED DURING THE “YOSHINO-CHO” ERA.“MASAMUNE” WAS CONSIDERED BY THE “ENTIRE NATION”, TO BE UNQUESTIONABLY THE FINEST SWORD MAKER IN JAPAN, AND ONE OF THE GREATEST MAKERS WHO EVER LIVED. FOR A “LIVING ARTIST” TO ACHIEVE THIS STATUS, NATIONWIDE, IS PERHAPS THE GREATEST HONOR THAT COULD HAVE BEEN BESTOWED UPON HIM. THE PRESENTATION OF ONE OF HIS BLADES, WAS CONSIDERED TO BE THE MOST SIGNIFICANT GIFT THAT COULD BE PRESENTED, BY “EMPERORS”, AND “SHOGUN’S”.

“BIZEN KANEMITSU”, WAS UNDOUBTEDLY AMONGST THE FOREMOST MAKERS OF HIS DAY, AND THAT EVER LIVED. IT IS RECORDED THAT HE WAS BORN IN “KO-AN” 1278 AD., AND DIED IN “EN-BUN” 1356 AD., AT THE AGE OF “83”! HE WAS THE SON, AND STUDENT OF ONE OF THE MOST IMPORTANT OF ALL BIZEN MAKERS, “KAGEMITSU” (SOME OF THE OLD RECORDS INDICATE THAT “KAGEMITSU” WAS ALSO THE FATHER OF “YOSHIKAGE”). HIS POPULARITY NEARLY EQUALED THAT OF “MASAMUNE”, ESPECIALLY IN HIS NATIVE BIZEN PROVINCE. HIS WORKS WERE WELL KNOWN FOR THERE EXCEPTIONAL BEAUTY, AND FUNCTIONALLY. THEY WERE ALSO THE SUBJECT OF MUCH FOLKLORE. THERE ARE BLADES BY “KANEMITSU” THAT ARE NAMED; “KABUTOWARI” (THE HELMET CUTTER), “ISHIKIRI” (THE STONE CUTTER), AND “TEPPO KIRI” (THE GUN CUTTER). ONE STORY SIGHTS AN INCIDENT ( PROBABLY FICTIONAL ) WHEN DURING THE COURSE OF A BATTLE A SAMURAI WAS CUT WITH A KANEMITSU BLADE. THE CUT WAS SO CLEAN, AND PAINLESS THAT THE MAN SWAM ACROSS A RIVER IN RETREAT. WHEN HE ATTEMPTED TO CLIMB FROM THE WATER, HIS BODY FELL TO THE SHORE IN TWO HALF’S! THIS IS ONLY ONE OF MANY SUCH STORES, THAT ATTEST TO THE SHARPNESS, AND CUTTING ABILITY OF THE BLADES OF “KANEMITSU”.

Juyo Zufu translation:

J?y?-T?ken at the 14th J?y? Shinsa held on April 20, 1966

Katana , mumei : Den Nagamori (???)

?saka, Hatashima Tadashi (???)

Measurements

Nagasa 69.4 cm, sori 1.2 cm, motohaba 3.2 cm, sakihaba 2.7 cm, kissaki-nagasa 7.9 cm, nakago-nagasa 22.4 cm, only very little nakago-sori

Description

Keij? : shinogi-zukuri , iori-mune , wide mihaba , shallow sori , ?-kissaki

Kitae : rather standing-out itame that is mixed with mokume and that features ji-nie

Hamon : suguha-ch? that is mixed with gunome , ko-ashi , and y?

B?shi : a little bit midare-komi with a kaeri tending to ko-maru and that features hakikake

Horimono : on both sides a b?hi that runs as kaki-t?shi through the tang and a soebi that runs as kaki-nagashi into the tang

Nakago : ?-suriage , kirijiri , katte-sagari yasurime , three mekugi-ana , mumei

Explanation

It is said that Nagamori (??) was a student of Ch?gi (??). His style is that of S?den-Bizen and is similar to Ch?gi, and works dated with eras from Sh?hei (??, 1346–1370) to Kentoku (??, 1370–1372) exist. This blade was handed down as a work of Nagamori and is with its wide mihaba and ?-kissaki of a magnificent shape. The hamon is a suguha-ch? with gunome whose elements are somewhat more densely arranged than seen with Ch?gi, and this approach may have been the reason for the period attribution to this smith.

The Blade

FITTINGS ARE OF THE MINO GOTO SCHOOL – THE FINE DETAILS WERE APPLIED IN FIVE LAYERS.

THEY ARE SOME OF THE BEST WE HAVE SEEN.

THE SAYA HAS SOME OF THE HEAVIEST MAKIE LACQUER WORK WE HAVE SEEN TO DATE. FOR ALL INTENSE PURPOSES IT COULD BE CONSIDERED A SOLID GOLD FINISH.

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