Superior Made Uchigatana with set of Gold fittings in Scattered Fan design By Takahashi Yoshitsugu Late Edo

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Superior Made Uchigatana with set of Gold fittings in Scattered Fan design By Takahashi Yoshitsugu Late Edo

Certification Rating: “JUYO TOKEN”By: N.B.T.H.K.

Juyo Zufu translation:

J?y?-Kod?gu at the 49th J?y? Shinsa held on October 9, 2003

Kuro roiro-nuri ?gi-chirashi makie saya uchigatana-koshirae (Takahashi Yoshitsugu issaku kanagu) (??????????????????????) – Uchigatana-koshirae featuring glossy black-lacquer saya with makie décor of an arrangement of fans plus en suite fittings made by Takahashi Yoshitsugu

Fuchi , mei : Yoshitsugu kore o tsukuru (????) – “Made by Yoshitsugu”

Kanagawa Prefecture, Nakagawa Minoru (???)

Measurements

Overall length 93.2 cm, overall sori 4.0 cm, tsuka length 23.0 cm, tsuka sori 0.4 cm, saya length 70.2 cm, saya sori 2.2 cm

Description

Keij? : tsuka covered with white same and wrapped tsumami-maki -style with plum-dyed braid; menuki depicting three fans each, of gold, in katachibori , with silver and shakud? okigane , kebori , katakiribori , and gold hira-z?gan ; all fittings ( fuchigashira , kuchigane , kurigata , and naga-kojiri ) depicting an arrangement of fans, of solid gold, with nanako ground, with gold, silver, and shakud? suemon , gold, silver, shakud? , and hiirod? hira-z?gan , kebori , katakiribori , and koberi edges, the fuchi is signed as quoted above; tsuba depicting an arrangement of fans, in aorigata , of pure gold with nanako ground, gold, silver, shakud? , and shibuichi suemon , gold and shakud? hira-z?gan , kebori , katakiribori , a kaku-mimi ko-niku , no hitsu-ana , and unsigned; saya in glossy black lacquer and makie décor of an arrangement of fans; two seppa of pure gold, sageo of purple kainokuchi braid

Era

End of Edo period

Explanation

This is a magnificent uchigatana-koshirae that features en suite and pure gold fittings made by Takahashi Yoshitsugu (????), who had been a highly skilled student of the famous Bakumatsu era master T?ry?sai Kiyotoshi (?????). That is, Yoshitsugu had initially trained with his father and with Murasakibara Toshiyoshi (????), but then also learned directly from Kiyotoshi. One of his students was Okada Setsuga (????).

All fittings of this koshirae , i.e., from fuchgashira , naga-kojiri , kuchigane , and kurigata to the menuki and even the tsuba are of solid gold and feature a graceful décor of an arrangement of fans. The fan papers are decorated with various auspicious symbols, on the fuchi with Rin Wasei (???), on the kuchigane with turtles, on the menuki with young pines, Amur adonis, orchids, and peonies, on the kurigata with orchids, on the naga-kojiri with pines, bamboo, and chrysan-themums, and on the tsuba on the obverse with plum, bamboo, orchids, and peonies in the mist, and on the reverse with young pines and bracket fungus. The saya has a glossy black-lacquer finish and the fan papers there are decorated with plums, pines, orchids, bamboo, and chrysan-themums. This means, that the fan paper décor on the saya represents the shikunshi (???, lit. “Four Noble Ones” comprising orchid, bamboo, plum, and chrysanthemum) and the shiy? (??, lit. “Four Friends” comprising orchid, bamboo, plum, and pine). Apart from the shikunshi and shiy? , the highly elegantly decorated fan papers seen on the saya and fittings also form the group referred to as saikan-san’y? (????, lit. “Three Friends of Winter” comprised by pine, plum, and bamboo). In addition, also the Taoist Immortal Rin Wasei (Chinese: Lín Héjing, 967–1028) and a turtle are depicted, which both have auspicious meanings as well, and the elegance of this décor forms a gorgeous unity with the magnificently shining gold.

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